My Face Is Swollen From A Toothache

PRINCE BUSTER ROCK STEADY FABULOUS GRATEST


01 - Madness
02 - Al Capone
03 - Wash Wash
04 - God Son
05 - Its Burkess Law
06 to 10 Commandments
07 - Blackhead Chineman
08 - 30 Pieces Of Silver
09 - Hard Man Fe Dead
10 - Earthquake
11 - Judge Dread
12 - Ghost Dance
13 - Take It Easy
14 - Too Hot
15 - My Girl
16 - This Is A Hold Up
17 - Shaking Up Orange Street
18 - Big Five
19 - Rough Rider
20 - Wreck A Pum Pum
21 - Julie on My Mind
22 - Pharaoh House Crash
23 - Tie the Donkeys Tail
24 - Finger
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Pain In Shoulder Blade When Inhaling

DO THE REGGAE HITS-THE SKINHEAD REGGAE Maytals

01.: Bam Bam
02.: 54-46 That's My Number
03.: Struggle
04.: Reborn
05.: Just Tell Me
06.: Do The Reggae
07.: School Days (Broadway Jungle)
08.: Bim Today
09.: Hold On
10.: Do not Trouble Trouble
11.: Alidina
12.: Sweet And Dandy
13.: Oh Yeah 3.13
14.: Water Melon
15.: Johnny Cool Man
16.: Night And Day
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Will I Recive W2 From Nj Disabilty

THE ROCK STEADY



reggae Reggay as they called the Maytals in their song "Do The Reggay" is a rhythm they created. Quickly

"Reggay" spread by many record companies, because the name was good and at that time were copied by all of all competition. Since this is the biggest step in Jamaican music.

a very important issue in the history of Reggae, is "New Dance (Called Reggay)" by Prince Buster in FAB and by mid-1968, rapidly in the same year, Early Reggae created topics such as:

Don Tony Lee - It's Reggae Time [Big Shot]
Carl Bryan - Reggay Got Soul [Carib Disc]
The Pioneers - Reggay Beat [Trojan]
The Ethiopians - Reggae Hit The Town [Crab]
The Victors - Reggae Buddy [High Note]

After the Early Reggae (late 1968-early 1969), Jamaican music expands to England, and his followers called themselves "Skinheads" movement that began with a group
about 10 or 15 guys, and were still more, until it became a lifestyle and identification.

mid-1969 the Reggae take a different emphasis, the songs begin to talk about Skinheads, such as the classic "Skinhead Moonstomp" or Rarities "Skinhead Shuffle" by The Mohawks in Pama, or as did Derrick Morgan and Laurel Aitken Skinhead calling itself the time.

The Reggae Guitar 69'se becomes much more marked, using an organ called Hammond, introduced primarily by The Upsetters.

new labels and labels arise under grant others, mainly from Trojan and Pama, as it was "Hot Rod", "Ackee", "Bullet", "Camel", "Escort", "Torpedo", "Jay Boy," "Joe" and many others, noting that many of the producers of these stamps were English and often Jamaicans as Laurel Aitken. And Some Jamaicans migrated to England artists, recording and giving concerts, this being one of the main characteristics of this rhythm "renewed." Musically

the Early Reggae may seem like the Skinhead Reggae (not always), if you hear a song recorded in 1968 Dobby Dobson in Coxsone's Early Reggae, whether it was in Success in the year 1969, Skinhead Reggae. Still, it sounds very well.

There are several factors for which identifies the early skinhead reggae reggae: The year of recording, to which the public was led, in which the seal was recorded and even if it was recorded in Jamaica and in England the song.

Skinhead Reggae Many songs mention the phrase "Boss", this was the Skinhead Moonstomp, Roy Ellis rarely said "I'm The Boss" (I am the boss), as the skinhead reggae was initially notice ego of superiority and aggression (hence the term Aggro) after Pama Records motto became "The Boss Sounds Of Pama" and many
groups penetrated into it, creating groups like "Joe The Boss" "The Boss says," Boss All Stars "and songs like" Boss "From Rough Riders (Symarip), or the" Look Who A Boss Style "The
Mediators.

The Early / Skinhead Reggae is a much more complex, the same labels already existing in the ska and rocksteady reggae recorded (not all, some disappeared) and far apart still more specialized labels created only in Reggae, especially in Pama.


taken from: Jamaica Station ...