One scene in particular:
When I found a movie on TV and started two things can happen: you can connect, whether you do not end understand the context of the characters and the story, or you can look scattered, with little attention on what counts. This week I experienced the first case. In I-sat
were having a Canadian film, West of Pluto, had been a scene, I think the first, but then stayed on my couch not assigned, can not remember if I changed the channel or I got to do otherwise, not finished watching. This week I got to see the final scenes, but one in particular seemed extra poignant.
Although there are movies of young people in adolescence is explored as an area of \u200b\u200bvulnerability, and no purity, there is something in this movie imposed, which initiates a conversation with one of those movies-dvds-.avis as is the case for Kids. The scene that hacked my sensibility is as follows:
One character, Jerome, is in love with a girl who is not applicable. From what little I saw of the dynamics with friends seems to be somewhat aloof and not fully unfolded in social issues, but as the nerds always end vindictive revenge or poetic realization of his fantasies, Jerome presents its spiritual core and screen lights with their pain:
Baja from the stands of an area of \u200b\u200bice hockey, takes the microphone and rhyme loving desperation screams.
And there is something poignant in that scene, because what you see is not the world of possibilities that is presented to a young man, what you see is a man with 18 years of age, raw.
from all of his parliament a phrase stuck with me:
Your premier est le soleil
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